The color graders here run 10-bit/color HDR monitors that have a wide gamut. Apple doesn't have monitors that support this. (The new one _might_ do the trick; we'll see.) Everyone here doing professional color work is on PCs supplied by Thinkmate. This is standard in Hollywood, too.

Wow, is that really true? Given Apple's popularity among creatives I assumed their top end monitors were HDR10 or better. That's really shocking.

Interesting, thanks for the info! It's probably obvious I don't know anything about filmmaking, audio's my domain.

The new ones aren't great you need a broadcast monitor that will show how things look for broadcast and not a computer.

As others have noted in this thread, the iMac Pro outspecs this unit at a cheaper price.

Not for all configurations, and especially not when using 3rd party expansion and customization options.