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I don’t know if I agree that the audience needs to care about the MacGuffin for it to be a well written story though. I think in some circumstances it can help, but it’s not necessary (or sufficient) for a good story.

I mean, I read that Lucas thought of R2D2 as the MacGuffin of “A New Hope”, and thought that it was important for the audience to care deeply about him. And it worked. However, as a film device, I think it’s more important that the audience cares that the protagonist cares about the MacGuffin. I still don’t know why I should care about the Maltese Falcon, but I know that Bogart certainly cared. And for me, that was enough to make the story compelling.

I do agree though about Pulp Fiction. The briefcase was a very meta reference where the audience is assumed to know what is going on. And in that case it helped to provide a common thread through the different plot lines. But from a higher level, it was done with a wink and a nod to the audience. It was basically using the MacGuffin as a foil to use as the “typical linear storyline” when what Tarantino was really doing was playing with time lines and points of view.



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