No one with enough bored capital to patronize the arts is going to go to see and be seen at a performance of a synthetic symphony - or not more than once or twice, anyway, for the sake of the thing. Philharmonics need not fear for their concert halls, or not at least for this reason.
Perhaps I should. An infinite future of the Berlin Philharmonic under Karajan, producing performances only slightly more perfectly machined, needs some antidote.