>But IP does also mean that the "property" can be owned by people that did not create it. This notion is fundamentally wrong
How is that that "fundamentally wrong"?? It's just a natural extension of giving exclusivity to the creator of the work. Are you saying it's "fundamentally wrong" to, say, commission a creative work from an artist for your exclusive use, the way it was done for thousands of years?!? Treating creative works as a kind-of property, greatly simplifies things.
>and de-valuates any creative work.
HOW?!?! How is _paying_ for a creative work, devaluing it? I'm sure there are multitudes of examples when the artist was screwed out of profiting from their work, then again there are multitudes of examples when artists greatly profited from their work (Hey there, George Lucas).
>The most of the value goes not to the performers of the art (eg music) but to the distributors.
Sometimes that's true, and sometimes that isn't true. But even in the former case, there are good reasons why that may happen. Furthermore, it's not like this is limited to music or creative works. A condo developer may sell a piece of (physical) property, for moderate profit, to a savvy real estate agent who then flips it for twice the amount. Did the developer get screwed? Maybe, maybe not. That's just the way things are.
How is that that "fundamentally wrong"?? It's just a natural extension of giving exclusivity to the creator of the work. Are you saying it's "fundamentally wrong" to, say, commission a creative work from an artist for your exclusive use, the way it was done for thousands of years?!? Treating creative works as a kind-of property, greatly simplifies things.
>and de-valuates any creative work.
HOW?!?! How is _paying_ for a creative work, devaluing it? I'm sure there are multitudes of examples when the artist was screwed out of profiting from their work, then again there are multitudes of examples when artists greatly profited from their work (Hey there, George Lucas).
>The most of the value goes not to the performers of the art (eg music) but to the distributors.
Sometimes that's true, and sometimes that isn't true. But even in the former case, there are good reasons why that may happen. Furthermore, it's not like this is limited to music or creative works. A condo developer may sell a piece of (physical) property, for moderate profit, to a savvy real estate agent who then flips it for twice the amount. Did the developer get screwed? Maybe, maybe not. That's just the way things are.